Which Songs Have Truly Created Change?
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John Steele (deceased)
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A few years ago on this forum, someone told the story of the song "Okie From Muskogee" and it's impact on society and industry in Oklahoma in general. I wasn't aware of it at all, it was shocking.
As far as songs that define a train of social thought, the first that comes to my mind is the Lovin' Spoonful's "Do you believe in magic"
-John
As far as songs that define a train of social thought, the first that comes to my mind is the Lovin' Spoonful's "Do you believe in magic"
-John
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Pete Burak
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Martin Abend
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oh no, pleeeeeze... that was on purpose, right?<SMALL>FWIW, It's been said that Teach Your Children Well gave birth to a new generation of steel players in the '70's.</SMALL>

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martin abend Pedal-Steel in Germany
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Chris Forbes
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Susan Alcorn (deceased)
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for me:
"Horse Falls from the Sky" -- Paulime Oliveros
4'33" -- John Cage (frequently misunderstood piece)
"I Told Jesus" -- Roberta Flack
"Quartet for the End of Time" -- Olivier Messiaen
"They Say It's Spring" -- Blossom Dearie
"Et Expecto Resurrectionem Mortuorum" -- Olivier Messiaen
"Ameriques" -- Edgar Varese
"Gracias A La Vida" -- Mercedes Sosa
"Strange Fruit" -- Billie Holliday
"Lonely Woman" -- Ornette Coleman
"Giant Steps", "Naima" -- John Coltrane
"This Bitter Earth" -- Diana Washington
"Save the Country" -- Laura Nyro
"Blue Jade" -- Buddy Emmons
"Kundun" -- Phillip Glass
"One of a Kind" -- Tammy Wynette
"Kern River" -- Merle Haggard
"Blue Nile" -- Alice Coltrane
"Tal" by Choyling Drolma
These songs have all affected me personally and I was not the same person after having heard them.
-- Susan
"Horse Falls from the Sky" -- Paulime Oliveros
4'33" -- John Cage (frequently misunderstood piece)
"I Told Jesus" -- Roberta Flack
"Quartet for the End of Time" -- Olivier Messiaen
"They Say It's Spring" -- Blossom Dearie
"Et Expecto Resurrectionem Mortuorum" -- Olivier Messiaen
"Ameriques" -- Edgar Varese
"Gracias A La Vida" -- Mercedes Sosa
"Strange Fruit" -- Billie Holliday
"Lonely Woman" -- Ornette Coleman
"Giant Steps", "Naima" -- John Coltrane
"This Bitter Earth" -- Diana Washington
"Save the Country" -- Laura Nyro
"Blue Jade" -- Buddy Emmons
"Kundun" -- Phillip Glass
"One of a Kind" -- Tammy Wynette
"Kern River" -- Merle Haggard
"Blue Nile" -- Alice Coltrane
"Tal" by Choyling Drolma
These songs have all affected me personally and I was not the same person after having heard them.
-- Susan
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Jeff A. Smith
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As far as which follows which, art or life, I think art IS life. If someone is imitating something, they are once-removed from where the action is.
I've definitely had the experience of an instrumental musician showing me where the action was a few times.
I think people like Bach or Coltrane have the ability to show us a higher level to live from. Sometimes this stuff makes it into popular music. Eddie Van Halen represented a huge shift in where rock guitar was coming from, just as an example. <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 30 July 2002 at 03:48 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 30 July 2002 at 03:50 PM.]</p></FONT>
I've definitely had the experience of an instrumental musician showing me where the action was a few times.
I think people like Bach or Coltrane have the ability to show us a higher level to live from. Sometimes this stuff makes it into popular music. Eddie Van Halen represented a huge shift in where rock guitar was coming from, just as an example. <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 30 July 2002 at 03:48 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 30 July 2002 at 03:50 PM.]</p></FONT>
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Jason Odd
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Actually there's some great points made here.
Larry, I couldn't agree more that the visual medium has indeed influenced the mionds of those who have blank enough personas to let anything fill the void.
An earlier example would be in the U.K in 1972 when some teens were caught and charged for setting alight human beings.
Basically they'd been inspired by a scene from the 1971 Stanley Kubrick film "A Clockwork Orange" a futuristic film where gangs committed ultra-violence and a new type of brainwashing had evolved to control said dissidents. The teens claimed to have been influenced by the film, and were apparently dressed in similar clothing to the characters in the film.
What about Bob Dylan's move from folkie covers, to originals and protest material and then to rock instrumentation?
I think his gig at Newport in 1965 changed a lot of heads, but lets not forget that the awesome Butterfield Blues Band were there as well.
That and Dylan's 1965-1966 recordings (their sound and commercial success) changed how people percieved folk music and it's posiblities.
None of these are good examples of anyone trying to change the way people think and act. Although I think many folk protest songs were concieved with the idea of 'opening' certain people's eyes.
Billie Holiday's recording of "Strange Fruit" is just amazing, it blowws me away.
Has anyone heard the new mix on the latest Verve compilation, it's nice but not as spooky as the original.
Larry, I couldn't agree more that the visual medium has indeed influenced the mionds of those who have blank enough personas to let anything fill the void.
An earlier example would be in the U.K in 1972 when some teens were caught and charged for setting alight human beings.
Basically they'd been inspired by a scene from the 1971 Stanley Kubrick film "A Clockwork Orange" a futuristic film where gangs committed ultra-violence and a new type of brainwashing had evolved to control said dissidents. The teens claimed to have been influenced by the film, and were apparently dressed in similar clothing to the characters in the film.
What about Bob Dylan's move from folkie covers, to originals and protest material and then to rock instrumentation?
I think his gig at Newport in 1965 changed a lot of heads, but lets not forget that the awesome Butterfield Blues Band were there as well.
That and Dylan's 1965-1966 recordings (their sound and commercial success) changed how people percieved folk music and it's posiblities.
None of these are good examples of anyone trying to change the way people think and act. Although I think many folk protest songs were concieved with the idea of 'opening' certain people's eyes.
Billie Holiday's recording of "Strange Fruit" is just amazing, it blowws me away.
Has anyone heard the new mix on the latest Verve compilation, it's nice but not as spooky as the original.
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Joel Glassman
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Yes I would say "We Shall Overcome" as a civil rights song written by Pete Seeger. Also "Blowin' in the Wind" written by Bob Dylan as an antiwar song.
Also "If You're Going to San Francisco" (Wear Some Flowers in your Hair)caused a lot of people to move there and become hippies
Similarly "Aquarius".
Whether you agree with the politics or not, each of those songs has profoundly influenced people. I'd add national anthems to the list. Plus there are war songs on bagpipes which inspire people to kill each other.

Also "If You're Going to San Francisco" (Wear Some Flowers in your Hair)caused a lot of people to move there and become hippies
Similarly "Aquarius".Whether you agree with the politics or not, each of those songs has profoundly influenced people. I'd add national anthems to the list. Plus there are war songs on bagpipes which inspire people to kill each other.

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Bobby Lee
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Eric Jaeger
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FWIW, Robbie Robertson says "The Weight" is about the impossibility of sainthood (I think he'd been watching too much Luis Bunuel).
We're tangling up "songs that changed the music world" with "songs that changed the world". Bob Dylan changed the world. The Band changed the music world. Coltrane changed the music world. The Beatles? They sure changed things, but other than delivering us from the teen-idol pap that preceeded them, I can't put my finger on what they changed.
We're tangling up "songs that changed the music world" with "songs that changed the world". Bob Dylan changed the world. The Band changed the music world. Coltrane changed the music world. The Beatles? They sure changed things, but other than delivering us from the teen-idol pap that preceeded them, I can't put my finger on what they changed.
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Jason Odd
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Gee, what did the Beatles do?
hmmmmmmmmm,
Oh I know:
They radically altered the concept and media persona of how a 'group' could record and exist, yeah that's right.
The put forward the concept of the musician as 'artist.'
Now, John, George and Paul all expanded into other mediums while with the Beatles, and even Ringo showed a nice onscreen presence for the films they did.
They were involved in films, theatre, had their own labels as part of Apple Corp. which also had their shop and other projects.
Poor old Elvis wouldn't have known what a sound collage was if it bit him on is butt.
The Beatles alone or together made bold (be they good or bad) sonic experiments in the studio, something a top pop act would hardly attempt today, but became common practice in the late 1960s.
Lennon showed that a pop idol could go beyond the simple boundries of music, he went into art and politics with the same amount of enthusiasm.
When the Beatle released the Sgt. Pepper LP, it was a heads up to the new crop of recording artists, even the Stones emulated the psyche style for their '67 album.
The only changed the whole concept of what a pop icon could be and ultimately the process of a pop artist gaining respect outside of the industry, and thus helped influence pop-culture to this day.
hmmmmmmmmm,
Oh I know:
They radically altered the concept and media persona of how a 'group' could record and exist, yeah that's right.
The put forward the concept of the musician as 'artist.'
Now, John, George and Paul all expanded into other mediums while with the Beatles, and even Ringo showed a nice onscreen presence for the films they did.
They were involved in films, theatre, had their own labels as part of Apple Corp. which also had their shop and other projects.
Poor old Elvis wouldn't have known what a sound collage was if it bit him on is butt.
The Beatles alone or together made bold (be they good or bad) sonic experiments in the studio, something a top pop act would hardly attempt today, but became common practice in the late 1960s.
Lennon showed that a pop idol could go beyond the simple boundries of music, he went into art and politics with the same amount of enthusiasm.
When the Beatle released the Sgt. Pepper LP, it was a heads up to the new crop of recording artists, even the Stones emulated the psyche style for their '67 album.
The only changed the whole concept of what a pop icon could be and ultimately the process of a pop artist gaining respect outside of the industry, and thus helped influence pop-culture to this day.
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David Weaver
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b0b said:
I talked to a woman of the same era and explained the Calif. phenomenon for boys. She said, "How do you think we felt?!....'I wish they all could be California girls'!
Made is all wonder what you guys were doing out there in California!
We were all thinking about it if we didn't go. Some of us resisted the temptation, but we always felt we were not whole if we didn't live in California.<SMALL>Actually, "California Dreamin'" was what inspired me, as a teenager, to stick out my thumb and head west. I'm sure that the music from San Francisco in the 60's affected migration patterns among young people, and many of us stayed here.</SMALL>
I talked to a woman of the same era and explained the Calif. phenomenon for boys. She said, "How do you think we felt?!....'I wish they all could be California girls'!
Made is all wonder what you guys were doing out there in California!
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Eric Jaeger
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Jason, my comment about the Beatles' impact was not meant to say they didn't have an impact, just that it's hard to figure out exactly what it was. Musically, for example,
they wrote some great songs, recorded well. But others had done many of the same things (multi-tracking, sound collages). What you say about their changing the definition of "musician" is true as well. Not sure how they did it.
Nominations for songs that changed people's minds:
- Ballad of a Thin Man ("You know something's happening...)
- Masters of War
- Desolation Row
Hmmm, there's a there here....
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Jason Odd
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Eric, I just thought about it then and typed it out, I'd not really thought about how they changed things, and of course it was an amazing thing, how it evolved is quite beyond me to say for sure.
I mean look at Elvis, who would look at the Memphis truck driver in 1953 and have said, in a couple of years this guy will be a star, when he dies he'll have the most recognisable name of any personality, performer and have hits decades after he's passed away.
An artist doesn't exist in a vaccum, things have to happen and be forced and pushed into place. If the Beatles had got that deal with London/Decca in 1962 the outcome would have been different, the label was a lot tougher on groups with originals and had a real restrictive approach to their artists in the UK in the 1960s. Would they have flourished so much then.
Dylan is another great example, from darling of the folk scene to international pop artist with an image as an intellectual.
What I've always found fascinating is that in the mid 1960s there seemed to be two dominant 'scenes' in New York, Dylan and his crowd and Andy Warhol's scene (including the Velvet Underground), they were almost like rivals and were big news in the papers and press all the time.
Kind of hard to imagine either artist getting that sort of press if they had come around in 2000.
I mean look at Elvis, who would look at the Memphis truck driver in 1953 and have said, in a couple of years this guy will be a star, when he dies he'll have the most recognisable name of any personality, performer and have hits decades after he's passed away.
An artist doesn't exist in a vaccum, things have to happen and be forced and pushed into place. If the Beatles had got that deal with London/Decca in 1962 the outcome would have been different, the label was a lot tougher on groups with originals and had a real restrictive approach to their artists in the UK in the 1960s. Would they have flourished so much then.
Dylan is another great example, from darling of the folk scene to international pop artist with an image as an intellectual.
What I've always found fascinating is that in the mid 1960s there seemed to be two dominant 'scenes' in New York, Dylan and his crowd and Andy Warhol's scene (including the Velvet Underground), they were almost like rivals and were big news in the papers and press all the time.
Kind of hard to imagine either artist getting that sort of press if they had come around in 2000.
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