The insanity continues: D13
Moderator: Dave Mudgett
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Bill McCloskey
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The insanity continues: D13
It has been a crazy 6 months, no aspect of my life went untested or unchallenged. Which resulted me in stopping playing completely about 6 months ago. In January, I thought I could begin to play again, but my Rose D13 sounded dull. I decided to change the strings. Then all hell broke loose: After the string change, I ran into problems with the pedal that lowers the 11th string A down to an F#. This led to weeks trying to find someone to repair it. I was ready to give up playing steel completely and just sell everything.
Then things started turning around. Found someone to repair it, picked up a Mullen in a trade, started to get back into D10 because of how amazing the Mullen sounded. thought about changing my MSA order from a S12 D13 to a D10.
But then, in the last 48 hours, I started playing the rose S12 D13 again and....
I fell back in love with the tuning. Man, what an amazing tuning: there is nothing you can't play on it. And after Daniel Stein (thank you Daniel) repaired and set up the Rose, it sounds amazing as well again.
So, I'm back firmly and exclusively in the D13 camp. And practicing for hours and loving it. And slowly I can feel my chops come back.
All this as a reminder: We all go through crazy times from time to time. We all make rash decisions based on temporary frustrations. Sometimes we just need to chill out for awhile until the passion comes back. And eventually it will come back. Hang in there all.
Then things started turning around. Found someone to repair it, picked up a Mullen in a trade, started to get back into D10 because of how amazing the Mullen sounded. thought about changing my MSA order from a S12 D13 to a D10.
But then, in the last 48 hours, I started playing the rose S12 D13 again and....
I fell back in love with the tuning. Man, what an amazing tuning: there is nothing you can't play on it. And after Daniel Stein (thank you Daniel) repaired and set up the Rose, it sounds amazing as well again.
So, I'm back firmly and exclusively in the D13 camp. And practicing for hours and loving it. And slowly I can feel my chops come back.
All this as a reminder: We all go through crazy times from time to time. We all make rash decisions based on temporary frustrations. Sometimes we just need to chill out for awhile until the passion comes back. And eventually it will come back. Hang in there all.
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scott murray
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Dave Stagner
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Bill McCloskey
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Dave, can't tell you how nice is it is to play C6 and E9th licks and chords on one neck without having to "think" in two tunings or hold a lever constantly. One neck, one big tuning that does everything I can throw at it. Learning slightly larger grips might be a challenge for those who have been playing nothing but E9th for decades, but since i came from lap steel and the Alkire tuning with REALLY large 4 string grips, it isn't a problem at all.
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Bill McCloskey
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Bill McCloskey
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Bill McCloskey
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John Hyland
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Bill McCloskey
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Fred
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There's more compromises but b0b's 10 string hybrid D6 is 6x6 but can work with just 5 levers.John Hyland wrote:what are every ones thoughts on a min pedals/ knee/string number for a workable D13
It's more of a full C6 in D with the basic E9 stuff also in D.
https://b0b.com/wp/about-b0b/bobby-lees ... copedents/
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Dave Stagner
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I've thought hard about trying his 5x5 D6 chromatic, if I can find a 5x5 D10.Fred wrote:There's more compromises but b0b's 10 string hybrid D6 is 6x6 but can work with just 5 levers.John Hyland wrote:what are every ones thoughts on a min pedals/ knee/string number for a workable D13
It's more of a full C6 in D with the basic E9 stuff also in D.
https://b0b.com/wp/about-b0b/bobby-lees ... copedents/
I don’t believe in pixie dust, but I believe in magic.
2019 Excel Superb S-11
1967 ZB D-10
1990 OMI Dobro
Recording King lap steel with Certano benders
2019 Excel Superb S-11
1967 ZB D-10
1990 OMI Dobro
Recording King lap steel with Certano benders
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Bill McCloskey
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Bill McCloskey
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Bill McCloskey
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And here is the most interesting part of D13: the fact that root positions on both C6 and E9th line up on the same fret. No more thinking in 2 different tunings like you have to do with both separate necks AND universal tunings. Key of C:


Mullen G2 D10 9x9
ETS S10 3x5
MSA D12 Superslide
Benoit 8 String Dobro
ETS S10 3x5
MSA D12 Superslide
Benoit 8 String Dobro
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Bill McCloskey
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Dale Rottacker
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You seem inspired again Bill ... That's a good feeling isn't it?!?
Dale Rottacker, Steelinatune™
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Bill McCloskey
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