The Lowdown on Lipsynch at the Super Bowl
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JB Arnold
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The Lowdown on Lipsynch at the Super Bowl
Here's a story
http://www.signonsandiego.com/news/uniontrib/sun/arts/news_1a26varga.html
There you have it...
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Fulawka D-10 9&5
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http://www.signonsandiego.com/news/uniontrib/sun/arts/news_1a26varga.html
There you have it...
------------------
Fulawka D-10 9&5
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
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Richard Bass
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Smiley Roberts
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I've heard that,whenever you go to a Reba or Garth concert,that they are doing just that.
That is,singing live to tracks,& the "band" is just "pick-sync-ing".(goin' through the motions). I know,FOR A FACT,that's what Vern Gosdin does!
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That is,singing live to tracks,& the "band" is just "pick-sync-ing".(goin' through the motions). I know,FOR A FACT,that's what Vern Gosdin does!
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mm if it ain't got that twang.
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Ron Page
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Hmmm. The organization that has figured out how to mic the coach into the QB's helmet can't go wireless to give them time for the line checks...
On the other hand, I think it's great that the NFL is image concious enough to exert this kind of control over performances at their premier event. Maybe it's a little too much of "worry about the things you can control".
I don't think the NFL realizes how detectable lip synching is and that a large portion of the public considers it a bit of a scam. Maybe they should leave the sound and music issues to other professionals.
If it were me, I'd rather be criticized for pour sound conditions than for hoodwinking the public.
On the other hand, I think it's great that the NFL is image concious enough to exert this kind of control over performances at their premier event. Maybe it's a little too much of "worry about the things you can control".
I don't think the NFL realizes how detectable lip synching is and that a large portion of the public considers it a bit of a scam. Maybe they should leave the sound and music issues to other professionals.
If it were me, I'd rather be criticized for pour sound conditions than for hoodwinking the public.
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Joey Ace
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Donny Hinson
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Faked is faked...period. On the other hand, they (whoever's runnin' the show) probably make 'em do it (the lip-sync thing) because they can't trust 'em. Not all performers are a class act...and we could handle it if it was a "not perfect" job, but some would try to really screw it up (on purpose), or to try to be a "smartass" and do it in a disrespectful (their own "style"?) way.
Remember Roseanne Barr's version?
Remember Jimi Hendrix's version?
We got one damn song that represents our whole Country. When and if it's ever your turn to do it, do it the best you can, and do it (EXACTLY) like it was written...or let somebody else do it!
'Nuff said.
Remember Roseanne Barr's version?
Remember Jimi Hendrix's version?
We got one damn song that represents our whole Country. When and if it's ever your turn to do it, do it the best you can, and do it (EXACTLY) like it was written...or let somebody else do it!
'Nuff said.
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JB Arnold
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I can see all kinds of good reasons for lip synching the whole deal-from everyone's perspective. I don't really fault 'em for it-particularly the big acts at halftime. Nobody wants anything to go wrong, and yeah, there's NO WAY to get all that gear hooked up in 10 minutes.
And the anthem, while it's only a couple of mics, man there's a lot cables and plugs to get stepped on or have something go wrong. I don't blame Shania for synching either. You either like her or hate her, and that will determine your attitude on that. Sting, on the other hand, Had to stretch to reach the notes in "Message" when he was in his prime-he should have taped his earlier. I guarantee the band was on tape. It sounded too good. I mean-A+ and attaboy for wanting to "keep it real", but that's probably not the venue for making that kind of statement.
As an aside, in their very early days, The Dead were on a TV show in San Francisco-say "67 or something like that-and they had to lipsynch their song. Phil Lesh (Bass) was opposed, but had no choice, so in protest he played a broomstick. I have a picture of that here somewhere.
JB
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Fulawka D-10 9&5
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"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html
And the anthem, while it's only a couple of mics, man there's a lot cables and plugs to get stepped on or have something go wrong. I don't blame Shania for synching either. You either like her or hate her, and that will determine your attitude on that. Sting, on the other hand, Had to stretch to reach the notes in "Message" when he was in his prime-he should have taped his earlier. I guarantee the band was on tape. It sounded too good. I mean-A+ and attaboy for wanting to "keep it real", but that's probably not the venue for making that kind of statement.
As an aside, in their very early days, The Dead were on a TV show in San Francisco-say "67 or something like that-and they had to lipsynch their song. Phil Lesh (Bass) was opposed, but had no choice, so in protest he played a broomstick. I have a picture of that here somewhere.
JB
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Fulawka D-10 9&5
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html
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Pete Burak
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JB Arnold
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See, now I'll bet that in San Francisco, they HAD to let 'em do that live. And I'll bet they sang it as written, too. A little wobbly, perhaps, but honest.

GD forever
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Fulawka D-10 9&5
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html

GD forever
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Fulawka D-10 9&5
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html
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chas smith R.I.P.
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Donny, with all due respect, I thought Jimi's interpretation was very powerful and it put into perpective a level of patriotism, intended or not, to 400,000 people at a time when the mood in the country was split. Whether you supported the government's position or not, it was a reminder that this is a great place to be and it said it in a way that those in attendence could hear it.
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JB Arnold
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True Chas. Hendrix's version was entirely appropriate for the venue and the audience. Roseanne's version was inappropriate anywhere.
JB
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Fulawka D-10 9&5
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html
JB
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Fulawka D-10 9&5
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html
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Joey Ace
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Rich Weiss
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I don't think that Sting was lipsyncing. He probably wouldn't stand for it. And I don't think the chick from No Doubt was either, at least not on the duet of 'Message In A Bottle'. But Shania was for sure. Somebody bumped into her and she stopped moving her lips but the singing continued.
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Rich Weiss on 28 January 2003 at 07:40 PM.]</p></FONT>
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Rich Weiss on 28 January 2003 at 07:40 PM.]</p></FONT>-
Theresa Galbraith
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Donny Hinson
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Guess I'm a narrow-minded old "coot", then!
You see, personally, I never thought the Hendrix version was "powerful". I thought it was <u>terrible</u>. "Fit the venue"? Nope, I still think it was trash...just like Roseanne's version...they both did a parody of the song. I've also heard many singers (Jose included) try to "personalize", and dress up the song, by singing most of the four-letter words (like L-A-N-D and F-R-E-E) with five notes and as many syllables. Give me a break.
Look, you wanna "jazz up" a song? Be my guest. Any song but <u>this</u> song! Have a little respect.
I realize many are against me on this. It's my own opinion, nothing more. It's a personal thing.
You see, personally, I never thought the Hendrix version was "powerful". I thought it was <u>terrible</u>. "Fit the venue"? Nope, I still think it was trash...just like Roseanne's version...they both did a parody of the song. I've also heard many singers (Jose included) try to "personalize", and dress up the song, by singing most of the four-letter words (like L-A-N-D and F-R-E-E) with five notes and as many syllables. Give me a break. Look, you wanna "jazz up" a song? Be my guest. Any song but <u>this</u> song! Have a little respect.
I realize many are against me on this. It's my own opinion, nothing more. It's a personal thing.
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chas smith R.I.P.
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JB Arnold
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And what's wrong with that? Art is for museums. These folks gotta ship product. Seriously-you'd think making money was a crime around here.
JB
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Fulawka D-10 9&5
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html
JB
------------------
Fulawka D-10 9&5
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html